CURRICULUM VITAE
PAUL MATHIEU Download
EDUCATION
1987 MFA, UCLA, Los Angeles,
1984 MA, SFSU, San Francisco,
1982 The Banff Centre, Banff, Alberta,
1982 UQAM, Montreal, Diploma in Printmaking,
1979 North Staffordshire Polytechnic, Stoke-on Trent, UK,
1977 Alberta College of Art, Calgary,
1975 Cégep du Vieux-Montréal.
GRANTS, PRIZES AWARDS and BURSARIES
2013 and 2007 SSHRC Research Grants,
2010 Voulkos Fellow, Archie Bray Foundation, Helena, Montana,
2008 Vancouver Mayor’s Art Award,
2007 Saydie Bronfman Award for Crafts
2007 Governor General Award in Visual Arts,
2005 Canada Arts Council Travel Grant,
2004 Lighton International Artist Exchange Program, Kansas City Artists Coalition,
2000 Chalmers Award for Excellence in Crafts,
1996 “A” Grant, Canada Arts Council,
1994 6th National Ceramics Biennial (Trois-Rivières and Public Prizes),
1993 Tama Art Studio Artist in Residence Program, Tokyo, Japan,
1992 Pierre Legault Prize, 5th National Ceramics Biennial,
1992 “B” Grant, Canada Arts Council,
1991 Bourse “A”, Ministère des Affaires Culturelles, Quebec,
1991 Project Grant, Canada Arts Council,
1990 Prize, 4th National Ceramics Biennial, Trois-Rivières,
1989 Bourse “B”, Ministère des Affaires Culturelles, Quebec,
1986 Prize, 2nd National Ceramics Biennial, Trois-Rivières,
1986 UCLA Graduate Fellowship,
1985 Ministère des Affaires Culturelles, Quebec (Travel Grant),
1982-87 Fonds FCAR, Quebec (Graduate Research Grant),
1985 Grand Prix des Métiers d’Art,
1984 Ministère des Affaires Culturelles, Quebec (Expenses Grant),
1978 “B” Grant, Canada Arts Council.
TEACHING EXPERIENCE
2020-22 ECUAD, non-regular faculty
1996-2019 Emily Carr University of Art+Design, Vancouver, B.C., Emeritus Professor
1996 Ecole Nationale Supérieure des Beaux-Arts, Paris, France
1991-96 Concordia University, Montreal
1995 Emily Carr Institute of Art and Design, Vancouver, B.C.
1991 Allende Institute, San Miguel, GTO, Mexico
1988 Université du Québec, Montreal
1980-81 Cégep du Vieux Montréal
1984 San Francisco State University (teaching assistantship)
1985/88 Cégep du Vieux Montréal
1976-80 Centre des Arts Visuels, Montreal
SELECTED GROUP SHOWS (with catalogue **)
2019 “Ionic Bonds”, Kamloops Art Gallery, BC**
2019 “The Raiders”, BAF, Bowen Island, BC
2017 “Western Front Society 44th Anniversary Auction”, Vancouver BC
2019 “Contemporary Celadon in the Collection”, Shangyu Celadon Art Museum, Shangyu, China
2016 “Ceramics and Print”, The Clay Studio, Philadelphia, USA
2019 “3000 Years of Porcelain”, MOA, University of New Mexico, Albuquerque, NM
2019 “Blue and White Porcelain in History and Today” **,,Yingge Museum,Taipei,Taiwan
2019 “Kitchen Midden”, Griffin Art Projects, North Vancouver
2019 “Contemporary Teapots in the Collection” **, Shigaraki Ceramics Museum, Shigaraki, Japan
2019 “Camp Fires”, Bellevue Art Museum, WA
2015 “Camp Fires”, McCord Museum, Montréal, PQ
2014 “Camp Fires”, Gardiner Museum, Toronto **,
2019 “Making Otherwise”, Carleton University Art Gallery, Ottawa **
2012 “Go East”, Gardiner Museum, Toronto **,
2019 “Elegant Disorders”, Belkin Satellite, Vancouver “Remaking Research” ** Emily Carr Concourse Gallery
2010 “Clay Throwdown”, Bellevue Art Museum
2009 NCECA National, Tempe, AZ **
2007 Governor General Awards, National Gallery of Canada, Ottawa **
2006 “China Trade”, Centre A, Vancouver **
2005 “The Visceral Vessel”, San Antonio, Texas
2004 “Hot Clay”, Surrey Art Gallery **
2002 International Ceramics Exhibition, Mino, Japan **
2019 International Ceramics Museum, Taipei, Taiwan **
2001 75th Anniversary Alumni Exhibition, ACAD, Calgary
2000 World Ceramic Exhibition, Korea **
2019 “Color and Fire”, Los Angeles County Museum, LA, CA **
1999 9th National Ceramics Biennial, Trois-Rivières **
1997 “Foulem, Mathieu, Milette”, Musée du Québec **
1996 “White on White”, Canadian Clay and Glass Gallery, Waterloo and touring (Shanghai) **
1995 NCECA Clay National, Minneapolis and touring **
1994 6th National Ceramics Biennial, Trois-Rivières **
2019 Tama Art Studio, Machida Art Gallery, Tokyo, Japan **
2019 “Gayramics”, New Orleans Lesbian and Gay Centre, LA, USA.
1993 “Subversive Crafts”, MIT List Visual Arts Centre, MA. **
2019 “The Illusion of Place”, Greenwich House Pottery, N.Y.
2019 “Les Vaisseaux d’Art”, Musée Marcil, St-Lambert, Québec **
2019 “Four Quebecers in Syracuse”, Everson Museum, Syracuse, N.Y.**
1992 International Ceramic Competition, Mino, Japan **
2019 International Ceramic Invitational, Taipei, Taiwan **
2019 5th National Ceramics Biennial, Trois-Rivières **
2019 The Canadian Craft Museum, Vancouver **
2019 “Gayramics”, Galerie Lieu Ouest, Montreal
2019 The Society for Contemporary Crafts, Pittsburgh **
2019 “The Eccentric Teapot”, Shigaraki Museum, Japan
2019 “Containers Revisited”, NCECA, Philadelphia **
2019 Canadian Teapot Invitational, Drexel University, PA.
1991 The Hand and Spirit, Scottsdale, AZ (NCECA) **
2019 “Quebec Impressions in Clay”, Galerie Barbara Silverberg, Montreal
2019 4th National Ceramic Invitational, The Canton Art Institute, Ohio **
1990 Canadian Ceramics, Barbara Silverberg, Montreal. **
2019 4th National Ceramics Biennial, Trois-Rivières. **
2019 28th Ceramic National Exhibition, Everson Museum, Syracuse, NY **
1989 “The Eccentric Teapot”, Garth Clark Gallery, N.Y./L.A.
2019 International Ceramics Exhibition, Mino, Japan. **
1988 3rd National Ceramics Biennial, Trois-Rivières. **
2019 “Fired Imagination”, Canadian/Australian Exchange.
1987 “Drawn to the Surface”, Pittsburgh, Pennsylvania. **
2019 “L’Excellence en Céramique au Canada #1”, G.B.S., Montreal. **
2019 American Ceramics Now, Syracuse, N.Y. **
2019 “Beyond the Object”, Saskatchewan Craft Council. **
1986 2nd National Ceramics Biennial, Trois-Rivières. **
1985 Concorso Intl. della Ceramica d’Arte, Faenza, Italy. **
2019 Grand Prix des Métiers d’Art, Montréal. **
2019 International Ceramics Exhibition 1985, Taipei, Taiwan. **
To 1974 many more…
SOLO SHOWS
2020 “The Archive 1972-2020”, permanent installation on the family farm, ongoing indefinitely
2019 “Tile Panels”, Faculty Space, ECUAD
2019 “Photos and Pots (after J.W.)”, the Commons, ECUAD
2019 “Narcissus (stacks)”, Faculty Space, ECUAD
2018 “Nude Pastels after Degas”, No Name Gallery, ECUAD
2017 “Flower Vases with Flowers in a Vase”, No Name Gallery, ECUAD
2016 “China Syndrome”, Burlington Art Gallery, Burlington, ON **
2019 “RightSideUP”, with Landon Mackenzie, Headbones Gallery, Vernon, BC **
2012 “Flower Vases with Flowers in a Vase”, Ottawa School of Art
2006 “Making China in China”, Richmond Art Gallery, B.C. **
2003 East Hawaii Cultural Center, Hilo, Hawaii
2002 Prime Gallery, Toronto 1999 Stride Gallery, Calgary **
1998 10 Years Survey, Burlington Art Centre, Ontario.**
1995 Prime Gallery, Toronto.
1993 Nancy Margolis Gallery, New York.
1991 Galerie Barbara Silverberg, Montreal.
1990 Martha Schneider Gallery, Chicago.
2019 Prime Canadian Crafts, Toronto.
2019 Michel Tétreault Art Contemporain, Montreal.
1988 Garth Clark Gallery, New York.
1987 Garth Clark Gallery, Los Angeles.
1985-87 “Le Souci de Soi”, Travelling: Banff, Vancouver, Montreal. **
1982-84 Interaction, Montreal.
1981 Prime Canadian Crafts, Toronto.
1976-81 Centre des Arts Visuels, Montreal.
SELECTED PUBLICATIONS on my work (catalogues listed with group exhibitions **)
2017 “Another China: Experimental Design Practices in Bone China Factories in China”,
2019 NCECA Journal, Yanze Jiang, March 2017
2016 “Paul Mathieu: The China Syndrome”, Janna Hiemstra and Jonathan Smith, Art Gallery of Burlington
2019 “RightSideUp”, Julie Oakes, Headbones Gallery, Vernon, BC
2014 “Camp Fires: The Queer Baroque of Léopold L. Foulem, Richard Milette and Paul Mathieu, Gardiner Museum, Toronto, ON
2009 “Contemporary Ceramics; An International Perspective”, Thames and Hudson
2008 “Porcelain: The Masters”, Lark Books
2007 “Governor General’s Awards 2007”, Paul Bourassa, catalogue essay
2019 “Ancient Affections”, Liz Magor, in Craft: Perception and Practice 3
2019 “Confrontational Ceramics”, Judith Schwartz, A&C Black, London
2006 “Ancient Affections” in “Making China in China”, Liz Magor, catalogue essay
2019 “Paul Mathieu in San Bao”, Elaine Hardman, Ceramics: Art and Perception
2019 “Narrative Ceramics”, Matthias Ostermann, A&C Black, London
2019 “Paul Mathieu in China”, Ceramics: Art and Perception, Australia
2005 “Cultural Interaction”, Keramik Magazin, Germany, Barbara Kaiser
2019 “Paul Mathieu”, Ceramic Art Magazine, China, Shen Min
2004 “20th Century Ceramics”, Edmund de Waal, Thames and Hudson, UK
2019 “The Persistence of Crafts”, Paul Greenhalgh ed., Rutgers U. Press
2019 “Une Histoire de l’Art du Québec”, Musée du Québec
2019 “Craft: Perception and Practice, a Canadian Discourse” #2
2003 “20th Century Disasters (+ 1) and 20th Century Sculptures”, Anna Marie Larsen, Artichoke Magazine
2001 “Post Modern Ceramics”, Mark del Vecchio, Thames and Hudson, USA
2000 “Color and Fire”, Los Angeles County Museum
2019 “Painted Clay”, Paul Scott, Watson-Guptill, New-York
2019 “The Inquiring Mind of Paul Mathieu”, Paula Gustafson, Ontario Craft 1999
2019 “10000 years of Pottery”, Emmanuel Cooper, British Museum
1996 “The Best of Pottery”, Angela Fina and Jonathan Fairbanks, Rockport, USA
1995 “Getting to the Heart of the Matter”, Gloria Lesser, Ceramics: Art&Perception, Australia
1990 “Clay Today”, L.A. County Museum of Art, Los Angeles, CA.
2019 “The Book of Cups”, Garth Clark, Abbeville Press
2019 “The Eccentric Teapot”, Garth Clark, Abbeville Press
1989 Vie des Arts Magazine, Summer, p.21
1986 American Ceramics Magazine, Vol.5, No.1
1985 “Le Souci de Soi”, Lorne Falke and Marie Perreault, The Banff Centre
TEXTS I PUBLISHED
2022 “Ceramics! The Art of the Future? A History and A Theory”
2022 “Making china in China, A Potter’s Memoir”, both on my website
2022 “Ceramics!…” 24 visual audio lectures, on Youtube
2019 (all at www.paulmathieu.ca):
2022 “ The usurpers have no clothes”,
2022 “The little P…..”,
2022 “Crafts Hangzhou 2016” and “Crafts, 2018”,
2022 “Archeological Expedition, Field Journal”,
2022 “Alison Britton: Words and Things,
2022 “Suzanne Wolfe: Ubiquity and Quiddity”, Ceramics Monthly, Fall 2020
2017 “Reflections on Edmund deWaal’s Phaidon Monograph”, Ceramics: Art & Perception, Australia,
2017 “What do we talk about when we talk about Crafts?”, proceedings of Hangzhou International Conference on Contemporary Crafts, Hangzhou, China, Spring 2017,
2017 “Shelter: Ceramics and Architecture”, Studio Potter Magazine, Spring issue.
2016 “Object Theory” in “The Ceramics Reader” anthology, Kevin Petrie and Andrew Livingstone, ed., Bloomsbury Academic, UK,
2017 “A Visit to the V&A”, Ceramics: Art&Perception (online), May 2016,
2017 “Fab Lab or Fib Lab”, The Journal of Australian Ceramics, vol. 55, No. 3, pp. 30-35.
2015 “The Influence of Chinese Porcelain on Contemporary Ceramics”, DAO Magazine, China.
2014 “Multiplicities”, Craft Journal,
2017 “The Influence of Sancai on Contemporary Ceramics”, DAO Magazine, China.
2012 “Portage and Main(tenance) Rory MacDonald”, Ceramics: Art&Perception.
2011 “The Dirt on Dirt on Delight”, Ceramics: Art&Perception,
2017 “Go Figure”, NCECA Journal,
2017 “Beyond the Brickyard”,Archie Bray Foundation.
2010 “Léopold L. Foulem in Vallauris”, New Ceramics, 6/10 (Germany), Takeshi Yasuda, Kilmog Press, NZ,
2017 “Comment: How to write critically about Ceramics”, Ceramics Monthly, Sept.
2009-2010; “Ceramic Excellence”, Archie Bray Foundation.
2009 “The Art of the Future: 14 Essays on Ceramics”, at www.paulmathieu.ca
2007 “Thrown”, Craft: Perception and Practice 3.
2007 “Object Theory”, Utopic Impulses anthology.
2005 “Towards a Unified Theory of Crafts”, in Crafts: Perception and Practice 2: A Canadian Perspective, anthology edited by Paula Gustafson.
2004 “The Influence of Chinese Porcelain on Contemporary Ceramics”, Jingdezhen, China.
2003 “SEXPOTS: Eroticism in Ceramics”, book published by A&C Black, London U.K., and Rutgers University Press (U.S.A.); and Haupt (Switzerland) in a German translation.
2002 “Léopold L. Foulem: Abstractions Très Singulières”, éditions Materia, Québec.
2001 “Michael Frimkess: A Reappraisal”, Ceramics Art&Perception (Australia),
2017 “Leopold L. Foulem’s Singular Abstractions”, Keramieki Techni (Greece),
2017 “Towards a Unified Theory of Crafts”, Artichoke Magazine, Canada.
2000 “Towards a Unified Theory of Crafts”, Studio Potter (USA),
2017 “Leopold L. Foulem’s Monochrome Abstractions”, Artichoke Magazine,
2017 “Les Abstractions Monochromes de Léopold L. Foulem”, La Revue de la Céramique et du Verre (France),
2017 “Julia Galloway: The Pottery of Extremes”, Ceramics: Art&Perception (Australia).
1999 “The Depreciated Legacy” (conference), on CD-ROM and Website for Australian Ceramics Conference, Perth, Australia.
1998 “Speaking Volume: Ceramics and Text” (conference), NCECA Journal,
2017 “The Politics of Exclusion”, Contact Magazine.
1997 “Pushing Boundaries: The Pottery of Takeshi Yasuda”, Ceramics: Art&Perception.
1996 “Erotics and Aesthetics: Ceramics and Sexualities” (conference), NCECA Minneapolis.
1995 “The Space of Pottery: an Investigation of the Nature of Crafts”, in Making and Metaphor, edited by Gloria A. Hickey.
1994 “The Space of Pottery”, ESPACE Sculpture (Canada).
1993 “The Sculpture of Georges Jeanclos”, Ontario Craft.
1992 “Roseline Delisle: an Appreciation”, Contact magazine.
1991 “The Space of Pottery”, Studio Potter (USA), vol. 19, #2.
BOOKS I PUBLISHED
2022 “Making china in China, A Potter’s Memoir”, at www.paulmathieu.ca
2010 “Ceramics! The Art of the Future? A History and A Theory”, at www.paulmathieu.ca/theartofthefuture.
2003 “Sexpots; Eroticism in Ceramics”, A&C Black, London, UK, Rutgers University Press, USA and in a German translation by Haupt, Switzerland.
FUNDED RESEARCH
Ceramics and the Archive Partnership Development Grant 2013 ($136,000), SSHRC.
Ceramics and the Archive, SSHRC Insight Grant 2007 ($96,000).
SELECTED PUBLIC COLLECTIONS
Le Musée des Arts Décoratifs, Paris, France
The Vancouver Art Gallery, Vancouver, B.C.
The Victoria and Albert Museum, London, England
The Museum of Fine Arts, Houston, Texas
The Montreal Museum of Fine Arts
The Museum for Contemporary Ceramic Art, Shigaraki, Japan
The Montreal Museum of Decorative Arts, Montreal
Los Angeles County Museum of Art, L.A.
Musée du Québec, Quebec, Canada
Canada Council Art Bank, Ottawa
Musée d’Art Contemporain, Montreal, Collection Lavalin
Art Gallery of Burlington, Ontario
The Art Gallery of Nova Scotia
The Greater Victoria Art Gallery
Arizona State University Art Museum, Tempe, AZ
Nelson Fine Arts Center, Kansas City, Missouri
The Canadian Clay and Glass Gallery, Waterloo, Ontario
The Gardiner Museum of Ceramic Art, Toronto
International Ceramics Museum, Kecskemet, Hungary
Museum of Arts and Design MAD, New-York
INVITED AND FEATURED CONFERENCE SPEAKER
2017 NCECA Portland, “Another China”, panel with Yanze Jiang, China and Janet deBoos, Australia,
2017 ECUAD Vancouver, Symposium with Yanze Jiang and Janet deBoos, March 21, 2017.
2016 International Conference on Contemporary Crafts, Hangzhou, China, December, Bellevue Art Museum, Bellevue WA,
2017 California Conference for the Advancement of Ceramic Art CCACA, Davis, CA, “Drinking the Kool-Aid”, April 2016.
2015 NCECA Providence, RI, “Picture This! Ceramics and Pictorial Spaces”.
2013 Oregon College of Art and Craft.
2012 Hindsight/Foresight, Ottawa.
2010 Critical Santa Fe, Symposium Bellevue Art Museum.
2009 Australian National Conference, Sydney.
2008 NCECA Conference, Pittsburgh.
2007 Neo-Craft Symposium, Halifax, Nova Scotia Gardiner Museum of Ceramic Arts, Toronto.
2005 Canadian Art College Association, Victoria, B.C.
2017 Potter’s Guild of BC conference, keynote speaker, Ladysmith, BC.
2004 Porcelain Millennium International Conference, Jingdezhen, China,
2017 Tangents: Ceramics and Beyond, University of Indiana, Bloomington.
2002 East/West Exchange Conference, Hawaii, USA.
2000 Art College Association, Toronto, Ontario,
2017 East/West Craft Conference, Harbourfront, Toronto.
1999 Keynote Speaker, Australian Ceramics Annual Conference, Perth.
1998 National Conference on Education in the Ceramic Arts, Kansas City,
2017 Canadian Art College Association, Waterloo, Ontario.
1996 National Conference on Education in the Ceramic Arts, Minneapolis.
1994 Making and Metaphor, Canadian Museum of Civilization.
1986 Emerging Talent, NCECA St-Louis.
RESEARCH TRIPS
2001 Peru
1997 England and France
1996 China
INTERNATIONAL RESIDENCIES
2016 Shangyu International Celadon Artists Residency, Shangyu, China, June 2016.
2014, 2013, 2011, and 2009 Huaguang Zibo Bone China Factory, Shandong, China.
2012 Kecskemet International Ceramics Studio, Hungary.
2010 Voulkos Fellow, Archie Bray Foundation, Helena, Montana
2008-07 The Pottery Workshop Experimental Factory, Jingdezhen, China.
2005 San Bao, Jingdezhen, China.
2004 San Bao, Jingdezhen, China.
2003 San Bao, Jingdezhen, China.
2001 International Ceramics Studio, Kecskemet, Hungary.
1998 East/West International Exchange, University of Hawaii, Honolulu.
1996 Pop/Mass and Sub Cultures, Senior Artist, The Banff Centre.
1994 Tama International Residency, Machida, Japan.
GUEST ARTIST
over the years at the following institutions:
Ohio State University, Columbus, Ohio
CAFA, Beijing, China, 2014
Nanjing University of the Arts, Nanjing, China
Oregon College of Art and Craft
Pacific Northwest College of Art, Portland, OR
University of Manitoba, Winnipeg
Ottawa School of Art
UQAM, Montreal
University of Lethbridge, Alberta
Ceramics Institute, Jingdezhen, China
The Pottery Workshop, Hong-Kong and Jingdezhen, China
Tama Art University, Machida, Japan
Royal College of Art, London
Ecole Nationale Supérieure des Beaux-Arts, Paris
Concordia University, Montreal
University of Waterloo, Ontario
University of Indiana, Bloomington
University of Regina, Saskatchewan
Alberta College of Art, Calgary
Nova Scotia College of Art and Design, Halifax
George Brown College,Toronto
The Banff Centre, Banff
Gardiner Museum of Ceramics, Toronto
University of Washington, Seattle
Pilchuck Glass School, Seattle
University of Colorado, Boulder
San Francisco State University
Kansas City Art Institute
Los Angeles City College
Canadian Craft Museum, Vancouver
Langara College, Vancouver
Kwantlen University College, Vancouver
Centre de Céramique Bonsecours, Montréal
La Maison du Potier, Québec
Centre des Arts Visuels, Montréal